Musings
I'm confessing here to an addiction I'm not proud of, but clearly can't shake and refuse to obtain help to combat.
I'm crazy about the television show "American Idol." (For those of you habituating deep caves on the dark side of the fourth moon of Neptune—Detachedus—American Idol pits winners of singing competitions against each other before three celebrity judges and then viewers' call-in votes. It appears in about 20 countries, and in the U.S. regularly draws almost 30 million votes weekly, more than ten percent of the entire population, which puts it up in the very top echelon of popular shows.)
My addiction is caused to some extent by the talent, which is quite good and, on occasion, amazing. And to some extent it is the result of enjoying the pressure of the event and how that stress affects performance. But to a far greater extent, American Idol has become the equivalent of crack cocaine for me because one of the judges, Simon Cowell, is as acerbic and brutally honest as anyone who has ever put on stage makeup.
Cowell's colleagues, Randy Jackson (a record producer), and Paula Abdul (a sort of singer and dancer who once was a Los Angeles Laker cheerleader), strain to find positive things to report for even ghastly performances. Their worst epithets are confined to "That was just all right for me," and "I admire your taking the risk."
This is hardly the stuff of Torquemada.
But Cowell is friction-filled candor to a fault, a sort of sandpaper feedback machine out of Black & Decker's worst nightmare. Some samples: "My advice is to pack your suitcase, because you won't be back here next week"; "I feel like we just heard someone who was drunk at the end of a party grabbing the mike and saying, 'Let me sing!' "; and, "That was awful, I don't think you hit a single note."
Cowell is usually right, and he's doing more of a service to the contestants than his two equivocating colleagues. When we hold back on the truth so as to spare feelings, what we really do is prevent behavior change and create false expectations.
And, of course, when Cowell compliments, which he will, it's received as a far greater beneficence than if it had come from Randy or Paula.
We need to be honest with our family, friends, and associates. Honest truth is always superior to perfidious falsehood. We withhold the truth ostensibly to "protect" the other party but, in reality, to protect ourselves from discomfort, confrontation, and possibly return vituperation. Protecting ourselves that way—at the sacrifice of providing honest help to another—is basically a selfish act.
We need to tell people when they're singing well and when they're not. Life is a competitive game, and you can't compete effectively if you're uncertain of your performance or, worse, have been told by others that it's better than it actually is.
There is no harmony in lies, only discordance. Just ask the real judges.
ORTIYKMWOYBNT-O Department
ONLY READ THIS IF YOU KNOW ME WELL OR YOU'LL BE NEEDLESSSLY TICKED-OFF DEPARTMENT
My wife and I stopped in San Francisco for a night to break up a long trip to Australia. It was late, the top-end restaurant in the hotel was closed for renovations, not much was available in the neighborhood, and I refused to eat in the chaotic sports bar. The concierges had long since gone home.
I insisted on a good meal and was quite peeved at our inability to find a great restaurant. My wife tolerated my pique, and finally I pointed out a steak joint down the block. We walked over and I stood in the entranceway waiting, looking at the customers.
After a few minutes, my wife said, "What are you doing?"
"What do you mean?"
"Why are you just standing here? Do you want to eat here or not?"
"I want to eat here and I'm waiting for them to seat us. What do you think I'm doing?"
With this, my wife broke up to the point that nearby diners looked up to find the source of the outburst.
"Are you crazy?!" she screamed between fits of uncontrollable laughter. "This is a Sizzler! They don't seat you! You sit down wherever you can and choose your meal from the menu posted on the walls!!"
As I crept into a primitive wooden booth, my wife snickered, "Shall I call the sommelier over?"