Musings: On trains and skates
I'm sitting in Amtrak's new Acela train returning to Providence from New York, where we spent a couple of days to see our kids, have our traditional picture taken at the tree in Rockefeller Center, and, generally, do the town.
The train is late (which I think is what "Acela" means in Swedish) and it's packed, even in Business Class. Outside, I watch an unending procession of red tail lights moving, at funereal pace, northward on Interstate 95. It's 5 p.m. on a Friday, and people are making their tedious and painful way home. At least I'm traveling faster than they are and can sip a drink.
The ubiquitous McDonald's arches pass by with a military precision, every 5.6 miles. Holiday lights adorn desultory neighborhoods. Billboards hawk everything imaginable, usually with sex. This is, after all, the northeast corridor, and we won't hit greenery and the ocean until we're well into Connecticut.
And still the car lights snake onward, lemmings on their way to the sea.
I watched the thousands of commuters in Penn Station, hustling on board the local trains (which DO run on time) to their homes in New Jersey, Connecticut, and suburban New York. I could never join them in that methodical madness. Jean-Jacques Rousseau (in "Emile") said that "Man is not meant to live in herds. The breath of man is poisonous to his fellows." I'm sure that I'd go mad within a month. I'm not cut out for mass migration. I'd be alone on the Serengeti, asking departing impalas, "Why can't we just stay in one place?" Like the Canadian Geese, once migratory but increasingly sedentary, I've begun to question the reasons for my movements.
I'm at home in the big city and I'm at home in the 'burbs, but I'm disconnected in between. There are no redeeming features about commuting-it is the greatest time waste that I know of, the La Brea Tar Pit of productivity, a black hole of engagement and interaction. I know that there are those who have adapted to its demands in a fashion that would have made Darwin proud, learning a foreign language, catching up on reading, inventing electric forks. But adapting to a negative condition doesn't mean that the condition is any better, just that we've been able to cope with it. After all, people have adapted to Kathy Lee Gifford, humus, Kabuki Theater, and bagpipes. But that doesn't mean the experience is one to be relished, or engaged in without strong drink.
I'm not advocating that those of you in the nine-to-five world chuck it all tomorrow. But I know that a great many of my readers are refugees from that world, entrepreneurs and risk-takers who have decided to lead an independent and uncertain life. Those of us skating on that thin ice often have a recurrent philosophical quandary: AM I CRAZY, OR WHAT? THE SAFETY IS ON THE SHORE.
Yes, but the wind and the speed, and the ability to leap and spin and momentarily free ourselves of the earth's grip, are all out on the ice. We jump and cavort and twist and soar, and for a precious few moments we defy gravity. Often we fall and bruise, and sometimes we trip and get wet, but we seldom drown.
So, for all of you commuters out there, my hat's off to your fortitude, forbearing, and phlegmatic nature. But for those of you who have traded in the to-and-fro for the trial-and-error, enjoy the ice, but clear me some space. I think I'm going to try a triple axle.
The reading list
This month: Thought provokers.
- "Conundrum," by Jan Morris. A well known and gifted writer, Jan used to be James. A stunning account of transexualism and the pain many people bear.
- "Why Sinatra Matters," by Pete Hamill. One of our outstanding essayists and reporters treats old blue eyes as a symbol of something uniquely American.
- "Midnight in the Garden of Good and Evil," by John Berendt. Forget the awful movie, this was a best seller for over a year for good reason, as it explores an actual murder in the strange culture and wild underside of Savannah.
- "Throwim Way Leg," by Tim Flannery. Searching for little known animals among even less understood tribes in the wilds of New Guinea.
- "The American Way of Death (Revisited)," by Jessica Mitford. The follow-up to her classic, finished by her husband after her death, on the distasteful tactics and underhanded methods of the American funeral industry.